{"id":3966,"date":"2019-02-13T17:59:45","date_gmt":"2019-02-13T17:59:45","guid":{"rendered":"https:\/\/fashionsphinx.com\/?p=3966"},"modified":"2019-02-13T17:59:53","modified_gmt":"2019-02-13T17:59:53","slug":"by-max-vadukul-in-1983","status":"publish","type":"post","link":"https:\/\/fashionsphinx.com\/?p=3966","title":{"rendered":"By Max Vadukul in 1983"},"content":{"rendered":"<p>It was September 1983. I was staying for a week at my artist Tony Viramontes&#8217; Paris flat while working as the showroom model of Yohji Yamamoto. There were other friends of Tony&#8217;s crashing there too: models, muses, hangers on&#8230;the usual entourage. But I had my own mattress in a corner of the living room which was also his studio.<\/p>\n<p>\u00a0 \u00a0 \u00a0I owed one to my friend from boarding school, Lucinda Chambers. Lucinda was working at Vogue UK at the time, I think she was the assistant of Grace Coddington then, or maybe not&#8230;in any case, thanks to Lucinda, Tony got his first Vogue UK commission, and that was a series of illustrations of luxurious hats modeled by Tony&#8217;s muse; the very fierce and androgynous Leslie Winer.<\/p>\n<p>\u00a0 \u00a0 \u00a0Lucinda called me to ask me if I could look at a portfolio of a young photographer that she had discovered, Max Vadukul. When I received the portfolio I thought it was a mistake: Lucinda told me that Max wanted to shoot portraits and fashion and all I could see in it were cats. Black cats in Highgate Cemetery. It was stunning work though. The black and white shots were bare, stark&#8230;kind of eery. I loved the book.\u00a0We arranged to meet at Tony&#8217;s studio early in the morning before I went off to work.\u00a0<\/p>\n<p>\u00a0 \u00a0 \u00a0Max arrived, shy and polite. He had no idea who Tony was or what was was going on in that chaotic space. I remember that Tony was putting on my makeup and doing my hair because he did not want me to go to Yohji&#8217;s looking so &#8220;natural,&#8221; so plain. The sun was pouring in through the floor to ceiling windows and the music was already playing loud. I was impressed with Max Vadukul; he was very serious and focused and grownup even if he looked like a clueless skinny kid. he had a Rolleiflex with him.\u00a0<\/p>\n<p>\u00a0 \u00a0 \u00a0At one point Max asked if he could take a picture of us in the studio. Tony grabbed one of his favorite props off the wall: a matador&#8217;s hat and told me to take off my shirt. Then he turned to Max and said: &#8216;If she&#8217;s topless, you&#8217;re topless too.&#8217;<\/p>\n<p>\u00a0 \u00a0 \u00a0Max set his camera on self-timer and moved me to a sun-lit wall where Tony&#8217;s wigs were hanging on. He propped me on a stool right under a long black hair extension and his camera went off.<\/p>\n<p>\u00a0 \u00a0 \u00a0Max went on to become an established photographer working for <em>The New Yorker<\/em>, many <em>Vogues<\/em>, <em>Rolling Stone<\/em> magazine, the <em>New York Times Style<\/em> magazine and <em>W<\/em>.\u00a0<\/p>\n<p>\u00a0 \u00a0 \u00a0Thirty six years later, Max digs into his archive and finds the shot.<\/p>\n<p>\u00a0<\/p>\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/fashionsphinx.com\/wp-content\/uploads\/2019\/02\/Max-Vadukul-Eugenia-melian-by-Max-Vadukul-1983-copy-1024x1024.jpg\" alt=\"Eugenia Melian &amp; Max Vadukul in the Tony Viramontes studio. Paris 1983. Photographed by Max Vadukul. The Max Vadukul archive.\" class=\"wp-image-3967\" srcset=\"https:\/\/fashionsphinx.com\/wp-content\/uploads\/2019\/02\/Max-Vadukul-Eugenia-melian-by-Max-Vadukul-1983-copy-1024x1024.jpg 1024w, https:\/\/fashionsphinx.com\/wp-content\/uploads\/2019\/02\/Max-Vadukul-Eugenia-melian-by-Max-Vadukul-1983-copy-150x150.jpg 150w, https:\/\/fashionsphinx.com\/wp-content\/uploads\/2019\/02\/Max-Vadukul-Eugenia-melian-by-Max-Vadukul-1983-copy-300x300.jpg 300w, https:\/\/fashionsphinx.com\/wp-content\/uploads\/2019\/02\/Max-Vadukul-Eugenia-melian-by-Max-Vadukul-1983-copy-768x768.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Eugenia Melian &amp; Max Vadukul in the Tony Viramontes studio. Paris 1983. Photographed by Max Vadukul. The Max Vadukul archive.<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was September 1983. I was staying for a week at my artist Tony Viramontes&#8217; Paris flat while working as the showroom model of Yohji Yamamoto. There were other friends of Tony&#8217;s crashing there too: models, muses, hangers on&#8230;the usual entourage. But I had my own mattress in a corner of the living room which [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[68,4,75,1392],"tags":[1435,437,1409,1431,1434,1432,1433,76,1436,1391],"class_list":["post-3966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-inspiration","category-stories","category-wildchilds","tag-black-and-white-portrait","tag-eugenia-melian","tag-eugenia-melian-author","tag-max-vadukul","tag-portrait-photographer","tag-rolleiflex","tag-self-timer","tag-tony-viramontes","tag-wildchilds-by-eugenia-melian","tag-wildchilds-novel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/fashionsphinx.com\/wp-content\/uploads\/2019\/02\/Max-Vadukul-Eugenia-melian-by-Max-Vadukul-1983-copy.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3BVEi-11Y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/posts\/3966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3966"}],"version-history":[{"count":4,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/posts\/3966\/revisions"}],"predecessor-version":[{"id":3971,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/posts\/3966\/revisions\/3971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=\/wp\/v2\/media\/3967"}],"wp:attachment":[{"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionsphinx.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}